My chan­ne­led paper art col­la­ges are ener­gy-enco­ded and are inten­ded for “gazing con­tem­pla­tion”. You gaze, you trans­form – it’s as sim­ple as that.

Toge­ther my art col­la­ges form an ever-evo­lving sys­tem of mysti­cal gates or por­tals. The sys­tem is desi­gned to:

• assist you in deep sha­dow work (no mud, no lotus!)
• faci­li­ta­te your self-disco­ve­ry journey
• help you to trans­form the inner con­flict betwe­en the mascu­li­ne and the femi­ni­ne ener­gies by sup­por­ting bet­ter syn­chro­ni­za­tion of your left (mascu­li­ne) and right (femi­ni­ne) bra­in hemispheres
• lead you to your gre­ater per­so­nal inte­gri­ty and inner balance
• help you to gra­du­al­ly re-remem­ber your own sove­re­ign­ty and divinity

It all depends on you, your com­mit­ment, and your level of matu­ri­ty, of course.

This gift for visio­na­ry art has ope­ned in me as a result of doing a pro­fo­und Bud­dhist dhar­ma prac­ti­ce cal­led Pra­jña Aka­sa­gar­bha (“wis­dom hid­den in the womb of spa­ce”). My art col­la­ges are down­lo­ads from the Uni­ver­se or “magi­cal trans­mis­sions” that bypass the mind, also my mind! Later I deco­de them thro­ugh con­tem­pla­tion. You can read more here: https://creativa.zone/about-my-collages/

Behind each of my art col­la­ges, the­re­’s a real-life, mul­ti­di­men­sio­nal rela­tion­ship sto­ry that is both arche­ty­pal and per­so­nal. And a mul­ti­tu­de of hard to belie­ve syn­chro­ni­ci­ties. In case you won­der, I have to grow into my own artwork too, by inte­gra­ting within the codes that are the­re. I’m just a visu­al sto­ry-tel­ler or “an expres­sio­nist pain­ter making a futu­ri­stic dra­wing”… seeing and sen­sing things ahe­ad of my time, hel­ping to trans­mu­te pla­ne­ta­ry arche­ty­pes and dre­aming new reali­ties into exi­sten­ce. Will you join me?

My art col­la­ges are always hand-made from paper and other suita­ble mate­rials. Out of prac­ti­cal need, I have deve­lo­ped my own art tech­ni­que that inc­lu­des using inter­chan­ge­able ele­ments, thus I can cre­ate alter­na­ti­ve ver­sions of the same paper art col­la­ge witho­ut digi­tal mani­pu­la­tion of the scan.